Providing KS3, KS4, KS5 Drama resources and schemes of work.
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Any problems with downloads please do let me know and I will update the files
Providing KS3, KS4, KS5 Drama resources and schemes of work.
**Please write a review**
Any problems with downloads please do let me know and I will update the files
Musical Theatre Roles – KS3 Drama Full Scheme (7 Lessons + Resources)
Perfect for SEN, SEMH, and mainstream learners
This engaging 7-lesson scheme of work is designed for KS3 Drama students and introduces them to the vibrant world of musical theatre beyond the spotlight. With a strong focus on technical theatre and design roles, this scheme encourages creativity, collaboration, and confidence-building in a fully differentiated and inclusive format.
What’s included?
Full medium-term plan with clear objectives and outcomes
Editable PowerPoints and printable worksheets
Practical and theoretical activities covering:
Acting, choreography, and directing
Costume and SFX makeup design
Lighting theory and hands-on torch-based activities
Final design project brief with assessment criteria
Formative assessments to check knowledge and reinforce literacy
Skills Developed:
Characterisation (vocal and physical)
Costume and makeup design
Lighting design and practical application (using GOBOs and GELs)
Creative thinking, problem-solving, and teamwork
Health and safety awareness through hands-on risk assessments
Why you’ll love it:
This scheme brings the world of backstage theatre into the classroom with cross-curricular links to Art, Science, and English. It’s SEN-friendly with scaffolded activities, simplified instructions, and sensory-friendly materials. All tasks are designed to build cultural capital and career awareness in creative industries.
Inspired by real-world productions like Shrek The Musical, students explore how storytelling comes to life through design, not just performance. A brilliant foundation for BTEC or GCSE Drama pathways.
Step into a world of comic book clashes and cinematic showdowns as students explore what it takes to become a superhero - or a villain! This dynamic scheme of work invites learners to delve into the traits, movements, voices, and designs that bring larger-than-life characters to the stage. Through improvisation, voice and movement exercises, costume creation, and technical theatre exploration, students will develop their dramatic toolkit while analysing the timeless battle of good versus evil.
Highlights of the Unit:
Striking power poses and exaggerated entrances
Creating slogans and catchphrases to develop vocal style
Crafting masks or capes using symbolism and texture
Designing dramatic superhero/villain lairs
Experimenting with lighting and sound in a “reveal scene”
Debating the moral grey area between good and evil
Ideal For:
Drama departments seeking a fun, immersive, and inclusive scheme of work that encourages performance confidence, creativity, and design thinking - especially suitable for diverse learners, including those with SEND, ASD, and SEMH.
Learning Intentions:
Understand the defining traits and archetypes of heroes and villains.
Use exaggerated physicality and vocal expression to portray character.
Explore symbolism through costume, props, lighting, and sound.
Develop short devised performances based on dramatic conflict.
Reflect on the storytelling power of drama and design.
Key Skills Developed:
Improvisation and devising
Vocal control (tone, pitch, pace)
Movement and posture characterisation
Use of design elements (costume, set, lighting, sound)
Collaboration, analysis, and self-reflection
Assessment:
Formative: Class discussions, peer feedback, exit tickets, and design tasks.
Summative: Devised hero-villain confrontation incorporating performance and technical elements, followed by reflection.
Cross-Curricular Links:
English: Character development, persuasive slogans, storytelling
Art & Design: Costume/set design and colour symbolism
Music: Soundscapes and vocal modulation
History: Exploring cultural and historical heroes and villains
PSHE: Identity, morality, empathy, and teamwork
SEN & SEMH Performing Arts Scheme of Work Bundle
This carefully curated bundle is designed to engage and inspire students with Special Educational Needs (SEN) and Social, Emotional, and Mental Health (SEMH) challenges through practical and accessible Performing Arts lessons. Each scheme of work encourages creativity, self-expression, and skill development while ensuring an inclusive and supportive learning environment.
What’s Included?
Offbeat Reggae – An interactive music scheme introducing students to the rhythmic world of reggae. Through drumming, rhythm exercises, and group performance, students develop coordination, teamwork, and an appreciation for cultural influences in music.
Keyboard Skills – A structured yet flexible introduction to playing the keyboard. This scheme covers fundamental techniques, simple melodies, and confidence-building exercises, allowing students to progress at their own pace while improving fine motor skills and musicality.
Page to Stage: Charlie and the Chocolate Factory – A dynamic drama scheme that brings storytelling to life! Through roleplay, script work, and creative character exploration, students develop performance skills, communication, and confidence while reimagining this classic tale.
Why Choose This Bundle?
Accessible & Inclusive – Designed with differentiation in mind to support varying abilities.
Engaging & Practical – Hands-on, interactive learning through music and drama.
Social & Emotional Development – Encourages teamwork, resilience, and self-expression.
Cross-Curricular Links – Reinforces literacy, coordination, and creative thinking skills.
Ideal for SEN and SEMH classrooms, PRUs, and inclusive Performing Arts settings, this bundle equips educators with everything they need to inspire students through music and drama.
Charlie and the Chocolate Factory – From Page to Stage: A Drama Unit SEN/SEMH
Engage your students in an exciting exploration of drama, storytelling, and performance with this Charlie and the Chocolate Factory scheme of work. This unit encourages learners to analyse the adaptation of books and films into musical theatre while developing essential drama skills.
Learning Outcomes:
By the end of this unit, students will:
Understand how films are adapted into musical theatre productions.
Explore Roald Dahl’s Charlie and the Chocolate Factory through drama techniques.
Develop vocal skills to enhance character portrayal.
Use still images, flashbacks, and flashforwards to elevate storytelling.
Understand the impact of tension, silence, and pauses in drama.
Work collaboratively to design and pitch a Wonka-inspired product.
Perform as a character from Charlie and the Chocolate Factory, applying learned drama techniques.
Key Knowledge & Skills:
The adaptation process from book to musical theatre.
The power of vocal techniques in performance.
The use of still imagery, flashbacks, and dramatic tension.
The role of advertising and branding in theatre.
Improvisation, persuasive speaking, and teamwork.
Assessments & Activities:
Formative: Discussions, role-on-the-wall character development, vocal & physical drama practice, collaborative advertising task, and continuous teacher feedback.
Summative: End-of-unit quiz, a Golden Ticket performance task, self and peer evaluations, and analysis of drama techniques in the Charlie and the Chocolate Factory film.
This engaging and interactive resource is ideal for KS3 drama classes and offers a mix of practical and theoretical learning. Inspire creativity, boost confidence, and develop essential drama skills with this fun-filled, imaginative unit!
Perfect for drama teachers looking for a structured, adaptable resource that enhances both performance and analytical skills.
AI Power-Up: The Ultimate Teacher’s Toolkit
Looking to save time on lesson planning, reports, and classroom management? AI Power-Up is your essential guide to integrating AI into your teaching practice!
This comprehensive toolkit provides SMART AI prompts tailored for teachers AND SLT, covering:
Lesson planning & curriculum design
Report writing & student progress tracking
Classroom management & behaviour strategies
Communication with parents and colleagues
Perfect for SEN & SEMH educators, this resource includes structured prompts to maximize AI’s potential, ensuring efficiency while maintaining a student-centered approach.
What’s inside?
A breakdown of AI tools for education
Step-by-step guidance on crafting effective prompts
AI-powered strategies for engaging and inclusive teaching
Transform your workload with AI Power-Up and supercharge your teaching today!
Offbeat Reggae – Scheme of WorkSuitable for Year 8 SEN and SEMH StudentsDuration: 7 Weeks
Overview:
This 7-week scheme of work is designed for low-ability, SEN, and SEMH students, focusing on offbeat rhythms and reggae-style keyboard playing. The resource includes mid-term planning (MTP), cover tasks, assessment criteria, formative and summative assessments, close-the-gap activities, and exit tickets to support student progress.
The scheme includes printouts for student books and PowerPoint presentations for teachers, ensuring that all resources are accessible and engaging for learners with additional needs.
Learning Objectives:
Learners will be able to:
Understand offbeat rhythms and their importance in reggae music.
Play the five main reggae chords on the keyboard.
Read notes on the F major scale and identify differences from the C major scale.
Recognise and perform syncopated rhythms commonly found in reggae music.
Key Components:
Key Knowledge:
Understanding the origins and cultural significance of reggae music.
Recognising and performing offbeat rhythms.
Learning to play the five main chords used in reggae music.
Key Skills:
Identifying the notes in the F major scale.
Comparing the C major and F major scales.
Performing offbeat rhythms and syncopation on the keyboard.
Assessment Criteria:
Formative Assessment:
Students will be assessed on their prior knowledge of note reading (C scale).
They will also be assessed on their ability to write an offbeat rhythm and match chords to a reggae-style piece.
Summative Assessment:
Students will perform a simplistic melody on the piano, demonstrating:
Correct offbeat timing.
Appropriate finger placement.
Ability to play reggae-style chords in rhythm.
Supporting Resources:
Cover tasks for independent learning.
Close-the-gap activities to reinforce key concepts.
Exit tickets for ongoing progress tracking.
Printable worksheets for student books.
Teacher PowerPoints to support lesson delivery.
This scheme is designed to provide a structured and engaging introduction to reggae music, ensuring that SEN and SEMH students develop confidence in their musical abilities while building essential skills for progression in music education.
Keyboard Skills – Scheme of WorkSuitable for SEN and SEMH StudentsDuration: 7 Weeks
Overview:
This 7-week scheme of work is designed for low-ability, SEN, and SEMH students, focusing on foundational keyboard skills in a structured and accessible format. The resource provides mid-term planning, cover tasks, assessment criteria, formative and summative assessments, close-the-gap activities, and exit tickets to support student progress.
The scheme includes printouts for student books and PowerPoint presentations for teachers, ensuring all resources are accessible and engaging for learners with additional needs.
Learning Objectives:
Learners will be able to:
Play a simple melody on the keyboard.
Read notes on a musical scale.
Identify notes on the keyboard.
Understand note values and their relevance to rhythm and timing.
Key Knowledge:
Recognising and naming notes on the keyboard.
Understanding basic notation and note values.
Developing awareness of rhythm and timing.
Key Skills:
Identifying and playing notes on the keyboard.
Reading simple musical notation.
Applying correct finger placement for basic melodies.
Assessment Criteria:
Formative Assessment:
Students will complete tasks to assess their ability to recognise notes on the keyboard and understand note values.
Exit tickets and written tasks will help measure progress in recognising notation and note placement.
Summative Assessment:
Students will perform a simple melody on the piano, demonstrating:
Correct note values in rhythm.
Appropriate finger placement and technique.
Supporting Resources:
Cover tasks for independent learning.
Close-the-gap activities to reinforce key concepts.
Exit tickets for ongoing progress tracking.
Printable worksheets for student books.
Teacher PowerPoints to support lesson delivery.
Completed Mid Term Plan document
This scheme is designed to provide a structured and accessible introduction to keyboard skills, ensuring that SEN and SEMH students can build confidence in their musical abilities while developing essential skills for progression in music education.
Access to all GCSE Edexcel Drama.
C1: Devising - how to devise and portfolio writing frames
C3: DNA revision, DNA Mock questions, DNA writing frames, Live theatre notes example, Live Theatre Guide
Students are able to explore the culture of different countries within the continent Africa (Zimbabwe, Mali, Democratic Republic of the Congo, South Africa)
Lesson 1: African Dance – To learn and create an African Dance.
Lesson 2: African Drums - To play an African percussion instrument (Crochets, Quavers and Triplets).
Lesson 3: African Singing – To learn an African Song.
Lesson 4: African Story – To explore an African Story through drama (freeze frames,dialogue, costumes
Lesson 5:  African Masks and Symbolism – To explore the cultural significance of African masks.
Lesson 6: Cultural Representation on stage – To understand how culture is represented on stage
Booklet that allows A level students to revise and work from. It covers all sections of the C3 exam (Live Theatre, Accidental Death of an Anarchist and Antigone - Brecht) , including context, writing frames and example answers. PDF and word copy
Can be used as a lesson plan guide too
Contents Page
P.4 – Live theatre
P.4 - Commenting on Acting
P.5 – Commenting on costume / Music and sound
P.6 – Commenting on Set and Props / Lighting (types of lighting included)
P.7 – Creating Live Theatre Notes / Sample question
P.8 – How to structure Live Theatre answer / Model Answer annotated / Annotate yourself
P.11 – Sentence Starters
P.12 – Mock Questions
P.13 – Planning out your answer
P.14 – Accidental Death – Page to Stage
P.15 – Facts about; the play / Dario Fo / Social, Historical and Political context
P.17 – Structure of the play / Themes of the play
P.18 – Style of the play / Setting of the play
P.19 – Satire / What is Political Satire
P.20 – Dario Fo’s Satirical conventions / Direct Address / Universal Humour / Clowning
P.21 – Influence of Commedia Dell Arte
P.22 – Character Breakdown – Commedia Influence
P.25 – The Exam – Answering the question on acting
P.26 – Short Answer Example using Entrances and Exits
P.27 – Answering question on design
P.29 – Sample exam answer
P.30 – Commentary / Feedback
P.31 – Writing Frames for ADOAA – Acting
P.32 – Writing Frame for ADOAA – Design
P.33 – Antigone
P.34 – Setting & Genre / Overall Message / Plot of the play / Themes / Key take aways / Importance
P.35 – Contextual Understanding
P.36 – The playwrights’ intentions / Play in today’s context
P.37 – Characters & Relationships
P.39 – Original Production
P.41 – Key Moments
P.46 – Brecht & techniques
P.48 – Brechtian Antigone
P.50 – Writing frame
P.51 - Example
A booklet to help and structure Component 1 exam.
HOW TO DEVISE AND THE DEVISING PROCESS
Includes;
Breakdown of the exam criteria for performance and portfolio
Drama Vocab and knowledge with definitions
Information on Practitioners and their techniques (Stan, Brecht and Artaud)
How to devise
How to choose a stimulus
Space to write down ideas
How to research your chosen stimulus
How research will help develop your performance
Deciding on aims and intentions
Writing a statement of dramatic intent
How to develop your research through games
Character development exercises
Dramatic techniques to help develop your piece
How to choose the style of the piece
Choosing the genre of your piece
Structuring your performance
Planning out a rehearsal schedule
Record, write, note, record
Writing a full script
Preparing for your performance
Sound and lighting cues
HOW TO WRITE THE PORTFOLIO
Includes;
Portfolio log
Top Tips
Portfolio questions
What is required for each question and breakdown
Sentence Starters
Everything you need to complete Component 3 for the Edexcel GCSE Exam.
DNA revision booklet
DNA Mock questions for whole script with page numbers for DNA School Addition.
DNA Exam Writing Frames and Answer examples
Live Theatre booklet guide with writing frames to answer questions
Live Theatre Notes Example
A booklet on how to answer the GCSE Edexcel live theatre question based on the National Theatre Frankenstein production.
Contains:
What is live theatre?
Notes
The questions
Creative team
Core cast list
Short Plot
Summary of Set, Costume, Lighting and Sound
Detailed analysis of 3 key moments with break downs of performance, set, lighting sound and costumes. With pictures and a space for students to annotate
How to answer the questions with breakdown with writing frames and examples
Space for students to write their own notes when watching the performance
EDEXCEL Exam board
46 Page document;
Breakdown of themes
Breakdown of design elements
Breakdown of historical context
Breakdown of characters
Practise questions
How to answer the questions
32 Mock Exam Questions for GCSE Edexcel DNA paper.
Ai, Aii, Bi, Bii, C
These mock questions allow students to explore the whole script, covering all questions and elements.
12 weeks worth of lessons looking into the play Game Over by Mark Wheeller and then moving onto Theatre in Education (TIE) and how to create a TIE performance.
PowerPoint and Scheme of Learning document.
Every lesson has a MUST, SHOULD and COULD. Assessment lesson included.
Differentiated questioning
Lesson 1: To be able to explore the opening scene of the play and discuss context of the play.
Lesson 2: To be able to explore section 2 of the script
Lesson 3: To be able toe explore section 3 of the script
Lesson 4: To be able to explore section 4 and 5 of the script
Lesson 5: To be able to explore section 6 of the script
Lesson 6: To be able to explore section 7 and 8 of the script
Lesson 7: Introduction to Theatre in Education
Lesson 8: To be able to start to create a TIE performance
Lesson 9: To be able to create the middle section of my TIE performance
Lesson 10: To be able to create the ending of my TIE performance
Assessment Prep
Lesson 11: Assessment Lesson
Lesson 12: Reflection Lesson