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The Calm Curriculum

Average Rating5.00
(based on 10 reviews)

Engaging, structured English resources. My lessons are designed to support all learners — including those with SEND — through clear routines, rich vocabulary, and purposeful tasks that build confidence and real progress. Ready to teach. Easy to adapt. Focused on growth.

Engaging, structured English resources. My lessons are designed to support all learners — including those with SEND — through clear routines, rich vocabulary, and purposeful tasks that build confidence and real progress. Ready to teach. Easy to adapt. Focused on growth.
Catrin - EDUQAS poetry anthology (first assessment 2027).
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Catrin - EDUQAS poetry anthology (first assessment 2027).

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A full lesson on Gillian Clarke’s Catrin, created for the new EDUQAS poetry anthology (first assessment 2027). This lesson explores the emotional tension, love, and changing connection between mother and daughter through guided analysis, vocabulary development, thesis-style writing, and visually engaging slides. Key Question: How does Clarke explore the complex bond between mother and daughter in Catrin? Supporting Questions: – Who are the ‘I’ and ‘you’ in the poem? – What moment does the first stanza describe? – How has the relationship changed by the second stanza?
Dusting the Phone - EDUQAS poetry anthology (first assessment 2027).
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Dusting the Phone - EDUQAS poetry anthology (first assessment 2027).

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A full lesson on Jackie Kay’s Dusting the Phone, created for the new EDUQAS poetry anthology (first assessment 2027). This lesson explores emotional obsession, longing, and vulnerability through guided analysis, vocabulary development, thesis-style writing, and engaging visual slides. Key Question: How does Kay explore obsession and emotional vulnerability in relationships? Supporting Questions: – What is the speaker waiting for, and how does this affect them emotionally? – How does the speaker’s tone shift throughout the poem? – How does the poem’s structure reflect emotional chaos or instability?
Remains - EDUQAS poetry anthology (first assessment 2027).
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Remains - EDUQAS poetry anthology (first assessment 2027).

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A full lesson on Simon Armitage’s Remains, created for the new EDUQAS poetry anthology (first assessment 2027). This lesson explores guilt, memory, and the lasting psychological impact of war through guided analysis, vocabulary development, thesis-style writing, and visually engaging slides. Key Question: How does Armitage explore the psychological impact of war in Remains? Supporting Questions: – What event is being described? – How does the speaker’s tone change over time? – What line suggests the memory still haunts him?
Eve L. Ewing’s Origin Story - EDUQAS poetry anthology (first assessment 2027)
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Eve L. Ewing’s Origin Story - EDUQAS poetry anthology (first assessment 2027)

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A full lesson on Eve L. Ewing’s Origin Story, created for the new EDUQAS poetry anthology (first assessment 2027). This lesson explores love, identity, and emotional transformation through guided analysis, vocabulary work, thesis-style writing, and rich visual resources. Students are encouraged to reflect on meaningful connections and the lasting impact of relationships. Key Question: How does Ewing explore love, identity, and fate in Origin Story? Supporting Questions: – Who are the ‘you’ and ‘I’ in the poem? – What is the tone: romantic, reflective, or spiritual? – How does the poet describe the impact of the relationship?
War Photographer - EDUQAS poetry anthology (first assessment 2027).
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War Photographer - EDUQAS poetry anthology (first assessment 2027).

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A full lesson on Carol Ann Duffy’s War Photographer, created for the new EDUQAS poetry anthology (first assessment 2027). This lesson explores the emotional burden of documenting war, the role of the media, and society’s response to suffering through guided analysis, vocabulary development, thesis-style writing, and thought-provoking visual slides. Key Question: How does Duffy explore the emotional burden of witnessing war and the public’s response? Supporting Questions: – Who is the speaker and what is their role? – How does the poem contrast war and home? – How does the speaker view the public’s response?