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I am a teacher of secondary English, providing resources and lesson plans in this domain. My lessons are on the interdisciplinary side and as such can at times also be applied to other subject areas, such as history or drama. I hope you find them useful! Please don't hesitate to provide constructive feedback as I am always keen to improve my resources and ensure that you get the very best value for money.

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I am a teacher of secondary English, providing resources and lesson plans in this domain. My lessons are on the interdisciplinary side and as such can at times also be applied to other subject areas, such as history or drama. I hope you find them useful! Please don't hesitate to provide constructive feedback as I am always keen to improve my resources and ensure that you get the very best value for money.
Writing a speech for 2 different audiences - planning grid
AngelilAngelil

Writing a speech for 2 different audiences - planning grid

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This worksheet was designed for use with KS4 but could also be used with KS3. It is designed to help students differentiate between key factors that may change when delivering a speech for 2 different audiences on the same topic, such as duration and tone. The two audiences in question in this case are Grade 9/Year 10 students and senior staff/headteacher, but could of course be changed.
THE DEMON HEADMASTER 6-week unit plan
AngelilAngelil

THE DEMON HEADMASTER 6-week unit plan

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This unit of work is designed to guide Year 8/Grade 7 students through Gillian Cross' The Demon Headmaster. While Teachit resources are referenced (and are available for free download via that website), many other resources and activities are also included, which are designed to stretch students in this age bracket given the text involved. Ultimately, however, it is accessible to all, including ESL, with various differentiation suggestions included (e.g. vocabulary-based activities).
Comprehension questions: Presents From My Aunts in Pakistan
AngelilAngelil

Comprehension questions: Presents From My Aunts in Pakistan

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This resource consists of 7 comprehension questions (printed on the page three times for ease of printing/distribution) based on the Moniza Alvi poem ā€˜Presents from my Aunts in Pakistan’. The questions help students to interpret the use of techniques including juxtaposition, metaphor, and imagery, and to better understand the effects of these on the reader.
Ode to a Nightingale (Keats) comprehension questions
AngelilAngelil

Ode to a Nightingale (Keats) comprehension questions

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These two pages of comprehension questions are divided by stanza, enabling students to work on these as they progress through the poem and allowing teachers to use them as a carousel or jigsaw activity if preferred. The questions cover comprehension of techniques (e.g. imagery, symbolism, allusion) as well as ideas.
Information sheet - how to write a feature article
AngelilAngelil

Information sheet - how to write a feature article

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This information sheet can be used by secondary students of all ages who need guidance on how to write a feature article. It encourages the use of statistics, illustrations and vox pops for the more mathematically and artistically minded English and media students.
Text types revision PPT
AngelilAngelil

Text types revision PPT

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This Powerpoint is most suitable for IB Diploma (Language A) or A Level language and literature students looking to revise text types. The Powerpoint covers the features of the following text types, as well as things that students can look for/consider when analysing an unseen text of this type: News article Editorial Blog or diary entry Political cartoons Graphic novels Brochures and leaflets Forum posts Academic journal articles Reviews Speeches and talks Tweets Letters and emails Interviews Advertisements Infographics The resource also covers reminders of the purposes of writing, the differences between literary and linguistic features, and further tips to enhance performance in analytical tasks of this nature (e.g. commenting on context, planning skills). This is not intended to serve as a full lesson in itself but could potentially be developed by teachers to create one according to the needs of their class. It’s perhaps more appropriate as a revision resource to be distributed for students’ own independent learning.
Republic of Ireland context/history quiz
AngelilAngelil

Republic of Ireland context/history quiz

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This quiz was designed to be used in an English lesson to reinforce student knowledge of Irish history in relation to Brian Friel’s play ā€œTranslationsā€. However, it could of course also be used by history teachers! The quiz could be done traditionally, whereby students revise in advance and then sit the quiz on their own. However, I used it as a team game, whereby at around Easter time, the slips were cut up and hidden around the classroom treasure hunt-style. Students had to work in teams to find the slips and fill in the answers where they thought they went on the answer sheet. The first team to get a full sheet of correct answers - or the highest number of correct answers - by the end of the given time - won an Easter egg (I appreciate that edible prizes and/or the religious aspect won’t work in all schools so obviously feel free to substitute this with a reward of your choosing if needed). Ground rules worth setting include: no hoarding of slips in your team (they should be put back where you have found them so other teams can also find them…) and no using chairs/tables etc as weaponry to guard the slips you have found (yes, really!!).
Spoken language (case study: David Attenborough/TV documentary voiceovers) PPT
AngelilAngelil

Spoken language (case study: David Attenborough/TV documentary voiceovers) PPT

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This PPT presentation/lesson encourages students to consider the differences between the way people speak in normal life vs how they speak on television documentaries. The starting question could be explored in a whole-class discussion or via various Kagan Strategies (e.g. Think-Pair-Share), and the resultant ideas revisited later on. An excerpt from a David Attenborough documentary (about the lyre bird) is transcribed onto the PPT for a student to read aloud in their normal voice. Students then watch the corresponding video clip (linked to in the PPT, or can be found on Youtube/supplied on request if there are problems with this). They should then compare how the student read it with how the text is spoken by Attenborough. They may wish to consider elements such as accent, pace and enunciation. Reference to the initial ideas generated by students is encouraged. The speech features terminology table (or a version of it adapted for your students) can be used optionally to help. I recommend using relevant exercises from the CGP GCSE English workbook as a plenary activity. This lesson was conceived of for students entering KS5 but is also suitable for KS4.
Personification/anthropomorphism examples PPT
AngelilAngelil

Personification/anthropomorphism examples PPT

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This Powerpoint introduces the etymology of ā€˜anthropomorphism’ and explains the differences between personification and anthropomorphism. The PPT then showcases examples of texts which use these, before setting students a task to anthropomorphise a classroom object and write a monologue ā€˜in character’ (students should be familiar with monologue-writing). There is still scope to add additional imagery/animations to the PPT if desired, as well as film clips (e.g. Fantastic Mr Fox, Toy Story, Cars).
Full unit plan: Hedda Gabler (Henrik Ibsen)
AngelilAngelil

Full unit plan: Hedda Gabler (Henrik Ibsen)

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This 16-lesson (4-week) unit plan for Henrik Ibsen's play, Hedda Gabler, explores characterisation, setting, themes, techniques, and text-to-self connections, as well as theatrical movements and practitioners and the influence of these on the play, and is enhanced by the contrasting cultures of production and reception via study of historical context. Pupils consider the links between style, context, content and purpose. They devise their own adaptation of the play to form a 1-hour staged reading of the production.
A Midsummer Night's Dream: Acts 3-5 abridged (Oberon realises Puck’s mistake, and fixes the problem)
AngelilAngelil

A Midsummer Night's Dream: Acts 3-5 abridged (Oberon realises Puck’s mistake, and fixes the problem)

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This would make a good revision activity for A Midsummer Night’s Dream, or is useful if you need to teach the play within a short space of time or need to set cover work. It is aimed at high-ability KS3 but could also be used with KS4. The extracts used focus on the moments that show Oberon realising Puck’s mistake, and fixing the problem. The extracts do not deal with other extracts/themes from the play. After reading the extracts (which I would recommend doing aloud, whether as a class or in small groups), there are questions for the students to complete (which could also be done in a carousel or other format if you prefer, or students can sit down and write). A short glossary is provided.
Concrete - abstract - proper nouns
AngelilAngelil

Concrete - abstract - proper nouns

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This is a useful worksheet to be used as part of a wider selection of class activities or if you need cover work. It defines concrete, abstract and proper nouns, and then gives students a selection to sort into a chart (provided). Five should then be chosen and used in students’ own sentences. Depending on where you are, you could either remove the example of ā€˜God’ or use it as a stimulus for debate (proper or abstract, or both?). This latter activity could also segue nicely into a lesson on discursive or argumentative writing. This activity is aimed at KS3 but has a broad range of appeal depending on your students’ needs: it could for example be used with able KS2s or with KS4s who lack grammatical knowledge.
Idioms
AngelilAngelil

Idioms

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This activity has 3 separate parts. After eliciting a class definition of idioms from students, the worksheet requires them to match idioms with their true meanings. Interesting discussion could follow, not just to correct the answers, but to explain how they knew/guessed if they were unsure. Students can then write sentences using the idioms before developing their ideas into a story (more than one idiom could be used in the story - e.g. through dialogue - or one idiom could be developed more thoroughly into a narrative). This was originally made to use with KS3 but could also be used with able KS2s.
Fact sheet: IRA (Irish Republican Army)
AngelilAngelil

Fact sheet: IRA (Irish Republican Army)

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This is a fact sheet about the IRA designed to be distributed to students, or for teachers to use to give them some background knowledge. It has been adapted/created based on Wikipedia so naturally is basic/has limitations, but is suitable for student use and for teachers who are not history specialists. It can be useful for English teachers who are teaching plays or novels where this history is relevant, such as Brian Friel’s ā€œTranslationsā€ or Joan Lingard’s ā€œAcross The Barricadesā€.
The Sound of Waves - key quotes and ideas
AngelilAngelil

The Sound of Waves - key quotes and ideas

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These notes on The Sound of Waves list potentially useful quotations from each chapter through the themes of innocence and experience (I have taught this text once privately and my student’s essay was based on this idea, so I read and made notes on the text with a view to helping her with this). Using the prism of these universal themes enables connections to be made between other curriculum texts, such as the poetry of William Blake and the plays of William Shakespeare. The notes are aimed at teachers (rather than students) and do not constitute full lesson plans in themselves but serve to provide inspiration for lessons depending on what skills and topics you hope to teach when instructing students on the novel. They provide opportunities to help students understand the effects of techniques such as simile and metaphor, foreshadowing, personification, pathetic fallacy, and symbolism. The notes also make links to critical thinking courses such as TOK (Theory of Knowledge) so can also be used by IB teachers to facilitate links to the Diploma core. Obviously all ideas presented in the notes are interpretations which you may agree or disagree with. Nonetheless, I hope they help!
Possible reasons for Blanche's behaviour (sc 1)
AngelilAngelil

Possible reasons for Blanche's behaviour (sc 1)

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This revision sheet lists possible reasons for Blanche's behaviour in scene 1 of A Streetcar Named Desire. Underneath are spaces for students to write in evidence from the scene supporting each point. This could therefore be used not just for revision but also as a scaffold for weaker students&' essay-writing.
Analysing stage directions
AngelilAngelil

Analysing stage directions

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This general worksheet helps students to analyse stage directions from any play, considering character, lighting, sounds, and other elements.
Contextual information: Machiavelli
AngelilAngelil

Contextual information: Machiavelli

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This handout is designed to provide students with background information regarding Machiavelli. Presented as a list of bullet points for easier absorption of information, the text is also printed three times on one page for ease of photocopying/printing and distribution. Useful for the study of both English and History.
Character impressions grid - The Jew of Malta
AngelilAngelil

Character impressions grid - The Jew of Malta

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This character impressions grid scaffolds student note-taking on the characters in Christopher Marlowe’s play ā€˜The Jew of Malta’. Topics include appearance and attitudes. These notes can be subsequently used for revision purposes or to help structure an essay on a topic from the grid. Printing on A3 is recommended so as to maximise the space that students have for note-taking.
The Jew of Malta - quotes quiz and answers
AngelilAngelil

The Jew of Malta - quotes quiz and answers

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This resource consists of two files bundled together: one file containing a quotes quiz, the other file containing the answers. Students are asked to identify who said a particular quotation, roughly where in the play it took place, and about any techniques used in the quotation, as well as its possible significance. This can take a whole hour’s lesson if completed in traditional silent quiz/exam style, or the questions could be completed in teams and made more competitive (particularly if you only go for the summative aspect asking students to name who says it and where it happens, and possibly naming techniques, leaving out the interpretive aspect). Note that the answers only indicate the name of the character who said the line and where in the play this occurs, as well as some possible techniques that students may identify; any valid explanation of the quotation’s possible significance should be accepted.